St Peter with St Paul
…the curve of the side walls and the circle of the paving worked into two concave steps held by the square entrance gives complexity to a very simple thing. Lutyens…
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…the curve of the side walls and the circle of the paving worked into two concave steps held by the square entrance gives complexity to a very simple thing. Lutyens…
…and garden buildings. The entrance has an enormous gable nearly reaching the ground, a good example of Lutyens’s habit of exaggeration. The style of the garden buildings very much follows…
…very like those on the terrace at Heathcote, which in their case, seem to have wandered outside the building. The actual style of the Hall is hard to classify. It…
…vernacular style. The garden front is very like the Webb garden front of Standen. The centre block contains the original house, and here Lutyens has added three gables over a…
…the alternate elevations of the old house, remodelling the old rooms to form the core of his new house; he retained the service block and designed a long stable wing….
…and the estate remains in private ownership… GARDENS AND PLEASURE GROUNDS The formal terraced gardens lie below and parallel to the south-west front of the house and were designed by…
…space and levels. From the garden side, the elevation reflects the division of the house into the prince’s end and the princess’s suites, which can be transformed into a series…
…would have raved as beautifully as he raved for the Gothic, and I think he did have some insight before he died; his later writings were much more gentle towards…
…simple version of a William and Mary house with a square wall court connecting it to a brick arched entrance. The next owner needed more space and a more elaborate…
…perpetuate the name of Shakespeare’s house in Stratford called New Place with which the Franklyn’s were connected through the Arden family branch of Shakespeare’s mother Mary Arden. The Langton mansion…